{"id":7191,"date":"2013-02-26T02:09:41","date_gmt":"2013-02-26T00:09:41","guid":{"rendered":"http:\/\/ospublish.constantvzw.org\/blog\/?p=7191"},"modified":"2013-02-26T02:25:49","modified_gmt":"2013-02-26T00:25:49","slug":"osp-print-party-as-bootstrap-iv-for-the-balsa","status":"publish","type":"post","link":"http:\/\/ospublish.constantvzw.org\/blog\/news\/osp-print-party-as-bootstrap-iv-for-the-balsa","title":{"rendered":"OSP print party as bootstrap IV for the Balsa"},"content":{"rendered":"
? ? Bootstrap IV Depuis 2 ans, la caravane OSP fait l’identit\u00e9 typographique de la Balsa. Depuis 7 ans, la caravane OSP fait des print parties. Dans les deux cas, ces pratiques utilisent des outils libres qui, par leur gen\u00e8se collaborative, changent les pratiques, qui \u00e0 leur tour changent les outils. OSP invite Mme Ume, l’ing\u00e9nieure japonaise dessinatrice d’une famille de police en usage \u00e0 la Balsa. Sous ses instructions, ils rejouent les journaux intimes des op\u00e9rations graphiques. Les dialogues donnent voix aux pratiques logicielles muettes et \u00e0 leur \u00e9cologie culturelle. Un bootstrap qui crochette les serrures de l’identit\u00e9 balsamique en mode repeat. ?<\/p>\n <\/a><\/p>\n “La plupart des auteurs contemporains (artistes, designers, cin\u00e9astes, ? Hello, Sorry to disturb you. We are a group of designers working in Brussels, Belgium with free software and we’ve used for 18 months the Ume fonts for the graphical and typographic identity of a theatre. We are preparing a presentation\/performance in which we would love to insert some details about the Ume fonts, […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[149,46,1],"tags":[],"_links":{"self":[{"href":"http:\/\/ospublish.constantvzw.org\/blog\/wp-json\/wp\/v2\/posts\/7191"}],"collection":[{"href":"http:\/\/ospublish.constantvzw.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/ospublish.constantvzw.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/ospublish.constantvzw.org\/blog\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/ospublish.constantvzw.org\/blog\/wp-json\/wp\/v2\/comments?post=7191"}],"version-history":[{"count":5,"href":"http:\/\/ospublish.constantvzw.org\/blog\/wp-json\/wp\/v2\/posts\/7191\/revisions"}],"predecessor-version":[{"id":7196,"href":"http:\/\/ospublish.constantvzw.org\/blog\/wp-json\/wp\/v2\/posts\/7191\/revisions\/7196"}],"wp:attachment":[{"href":"http:\/\/ospublish.constantvzw.org\/blog\/wp-json\/wp\/v2\/media?parent=7191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/ospublish.constantvzw.org\/blog\/wp-json\/wp\/v2\/categories?post=7191"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/ospublish.constantvzw.org\/blog\/wp-json\/wp\/v2\/tags?post=7191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nHello,
\nSorry to disturb you. We are a group of designers<\/a> working in Brussels, Belgium with free software and we’ve used for 18 months the Ume fonts for the graphical and typographic identity of a theatre<\/a>. We are preparing a presentation\/performance in which we would love to insert some details about the Ume fonts, their history, anecdotes, technical details, anything. We found your 4 names spread out in the log of the Ume font<\/a> from 2006 till now. Maybe do you know some part, even very little, of the of the journey of that font family?
\nMany thanks in advance for any help!
\n<\/em><\/p>\n
\nOpen Source Publishing
\nPrint Party
\n28\/02 – 20h30
\nhttp:\/\/www.balsamine.be\/index.php\/Saison2012-2013\/BootstrapIV<\/a><\/p>\n
\nauteurs, sc\u00e9nographes), cr\u00e9ent leur oeuvre \u00e0 l’aide d’ordinateurs. Ils
\nutilisent les logiciels par d\u00e9fauts, les m\u00eames outils que tout le monde
\nutilise. Imaginez que ces logiciels n’\u00e9taient pas seulement faits pour
\nfaire le travail, mais seraient des outils \u00e0 penser, des instruments \u00e0
\nd\u00e9velopper l’imagination, des objets qui repensent le monde dont ils
\nfont partie?” Femke Snelting, “Toolbending”, 2012
\n\u2022
\nR\u00e9servations<\/a> <\/p>\n","protected":false},"excerpt":{"rendered":"